Producers are entrepreneurs who make the business and financial decisions involving a motion picture, made-for-television feature, or stage production. They select scripts, approve the development of ideas, arrange financing, and determine the size and cost of the endeavor. Producers hire or approve directors, principal cast members, and key production staff members. They also negotiate contracts with artistic and design personnel in accordance with collective bargaining agreements. They guarantee payment of salaries, rent, and other expenses.
Television and radio producers determine which programs, episodes, or news segments get aired. They may research material, write scripts, and oversee the production of individual pieces. Producers in any medium coordinate the activities of writers, directors, managers, and a...
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# Formal training through a university or acting conservatory is typical; however, many producers find work on the basis of their experience and talent alone.
# Because earnings may be erratic, many supplement their incomes by holding jobs in other fields; however, the most successful actors, producers, and directors may have extraordinarily high earnings.
Producers are entrepreneurs who make the business and financial decisions involving a motion picture, made-for-television feature, or stage production. They select scripts, approve the development of ideas, arrange financing, and determine the size and cost of the endeavor. Producers hire or approve directors, principal cast members, and key production staff members. They also negotiate contracts with artistic and design personnel in accordance with collective bargaining agreements. They guarantee payment of salaries, rent, and other expenses.
Television and radio producers determine which programs, episodes, or news segments get aired. They may research material, write scripts, and oversee the production of individual pieces. Producers in any medium coordinate the activities of writers, directors, managers, and a...
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People who become producers follow many paths to employment. The most important qualities employers look for are creative instincts, innate talent, and the intellectual capacity to perform. Producers need experience in the field, either as actors or in other related jobs.
There are no specific training requirements for producers. They come from many different backgrounds. Actors, writers, film editors, and business managers commonly enter the field. Producers often start in a theatrical management office, working for a press agent, managing director, or business manager. Some start in a performing arts union or service organization. Others work behind the scenes with successful directors, serve on the boards of art companies, or promote their own projects. Although there are no formal training programs for produce...
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Producers need talent and creativity. They also need business acumen.
As the reputations and box-office draw of producers grow, they might work on bigger budget productions, on network or syndicated broadcasts, or in more prestigious theaters.
In May 2006, actors, producers, and directors held about 163,000 jobs, primarily in motion picture and video, performing arts, and broadcast industries. Because many others were between jobs, the total number of actors, producers, and directors available for work was higher. Employment in the theater, and other performing arts companies, is cyclical—higher in the fall and spring seasons—and concentrated in New York and other major cities with large commercial houses for musicals and touring productions. Also, many cities support established professional regional theaters that operate on a seasonal or year-round basis. About 28 percent of actors, producers, and directors were self-employed.
Producers may find work in summer festivals, on cruise lines, and in theme parks. Many smaller, nonprofit professional com...
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Employment of producers is expected to grow about as fast as the average for all occupations. Competition for jobs will be keen. Although a growing number of people aspire to enter these professions, many will leave the field early because the work—when it is available—is hard, the hours are long, and the pay may be low.
Employment is expected to grow 11 percent during the 2006-16 decade, about as fast as the average for all occupations. Expanding cable and satellite television operations, increasing production and distribution of major studio and independent films, and rising demand for films in other countries should create more employment opportunities for producers. Also fueling job growth is the continued development of interactive media, direct-for-Web movies, and mobile content, produced for cell phones or other portable electronic devices. However, greater emphasis on national, rather than local, entertainment productions may restrict employment opportunities in the broadcasting industry.
Competition for jobs will be stiff. Venues for live entertainment, such as Broadway and Off-Broadway theaters, touring productions, and repertory theaters in many major metropolitan areas, as well as theme parks and resorts, are expected to offer many job opportunities. However, prospects in these venues are variable because they fluctuate with economic conditions.
The most successful actors, producers, and directors may have extraordinarily high earnings but for others, because earnings may be erratic, many supplement their income by holding jobs in other fields.
Median annual earnings of salaried producers was $56,310 in 2006. The middle 50 percent earned between $37,980 and $88,700. Median annual earnings were $70,750 in the motion picture and video industry and $47,530 in radio and television broadcasting.
Stage producers seldom get a set fee; instead, they get a percentage of a show’s earnings or ticket sales.
People who work in performing arts occupations that may require acting skills include announcers; dancers and choreographers; and musicians, singers, and related workers. Others working in occupations related to film and theater include makeup artists, theatrical and performance; fashion designers; and set and exhibit designers. Producers share many responsibilities with those who work as top executives.
For general information about theater arts and a list of accredited college-level programs, contact:
* National Association of Schools of Theater, 11250 Roger Bacon Dr., Suite 21, Reston, VA 20190. Internet:
http://nast.arts-accredit.org
For general information on actors, producers, and directors, contact any of the following organizations:
* Actors' Equity Association, 165 West 46th St., New York, NY 10036. Internet:
http://www.actorsequity.org
* Screen Actors Guild, 5757 Wilshire Blvd., Los Angeles, CA 90036-3600. Internet:
http://www.sag.org
* American Federation of Television and Radio Artists, 4340 East-West Hwy., Suite 204, Bethesda, MD 208...
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